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Alfred Sisley Mooring Lines oil painting


Mooring Lines
Painting ID::  87351
Alfred Sisley
Mooring Lines
oil on canvas, (37.5 x 45.7 cm). Philadelphia Museum of Art Date 1879(1879) cyf

   
   
     

Alfred Sisley Overcast Day at Saint-Mammes oil painting


Overcast Day at Saint-Mammes
Painting ID::  88148
Alfred Sisley
Overcast Day at Saint-Mammes
. 1880 Medium Oil on canvas Dimensions 54.9 x 74 cm (21.6 x 29.1 in) cyf

   
   
     

Alfred Sisley Boatyard at Saint-Mammes oil painting


Boatyard at Saint-Mammes
Painting ID::  89006
Alfred Sisley
Boatyard at Saint-Mammes
1885(1885) Medium oil on canvas Dimensions 21.525 x 28.875 in (54.7 x 73.3 cm) cjr

   
   
     

Alfred Sisley Factory on the banks of the Seine. Bougival oil painting


Factory on the banks of the Seine. Bougival
Painting ID::  89192
Alfred Sisley
Factory on the banks of the Seine. Bougival
oil on canvas Dimensions 50 x 65,5 cm cjr

   
   
     

Alfred Sisley Landscape at Louveciennes oil painting


Landscape at Louveciennes
Painting ID::  89444
Alfred Sisley
Landscape at Louveciennes
1873(1873) Medium oil on canvas Dimensions 54 x 73 cm (21.3 x 28.7 in) cyf

   
   
     

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     Alfred Sisley
     French 1839-1899 Alfred Sisley Galleries Alfred Sisley (October 30, 1839 ?C January 29, 1899) was an English Impressionist landscape painter who was born and spent most of his life in France. Sisley is recognized as perhaps the most consistent of the Impressionists, never deviating into figure painting or finding that the movement did not fulfill his artistic needs. Sisley was born in Paris to affluent English parents; William Sisley was in the silk business, and his mother Felicia Sell was a cultivated music connoisseur. At the age of 18, Sisley was sent to London to study for a career in business, but he abandoned it after four years and returned to Paris. Beginning in 1862 he studied at the atelier of Swiss artist Marc-Charles-Gabriel Gleyre, where he became acquainted with Fr??d??ric Bazille, Claude Monet, and Pierre-Auguste Renoir. Together they would paint landscapes en plein air (in the open air) in order to realistically capture the transient effects of sunlight. This approach, innovative at the time, resulted in paintings more colorful and more broadly painted than the public was accustomed to seeing. Consequently, Sisley and his friends initially had few opportunities to exhibit or sell their work. Unlike some of his fellow students who suffered financial hardships, Sisley received an allowance from his father??until 1870, after which time he became increasingly poor. Sisley's student works are lost. His earliest known work, Lane near a Small Town is believed to have been painted around 1864. His first landscape paintings are sombre, coloured with dark browns, greens, and pale blues. They were often executed at Marly and Saint-Cloud.

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